Parshas
Tetzaveh
Measure
for Measure
By:
Daniel Listhaus
וְעָשִׂיתָ
בִגְדֵי קֹדֶשׁ לְאַהֲרֹן אָחִיךָ
לְכָבוֹד וּלְתִפְאָרֶת:
וְאַתָּה
תְּדַבֵּר אֶל כָּל חַכְמֵי לֵב אֲשֶׁר
מִלֵּאתִיו רוּחַ חָכְמָה וְעָשׂוּ אֶת
בִּגְדֵי אַהֲרֹן לְקַדְּשׁוֹ לְכַהֲנוֹ
לִי
וְחֵשֶׁב
אֲפֻדָּתוֹ אֲשֶׁר עָלָיו כְּמַעֲשֵׂהוּ
מִמֶּנּוּ יִהְיֶה זָהָב תְּכֵלֶת
וְאַרְגָּמָן וְתוֹלַעַת שָׁנִי וְשֵׁשׁ
מָשְׁזָר
“You
shall make garments of sanctity for Aharon your brother, for glory
and for splendor. And you shall speak to each of the wise-hearted
people whom I have invested with a spirit of wisdom, and they shall
make the garments of Aharon, to sanctify him, so that he shall be a
Kohen
to Me.”
-Tetzaveh
28:2-3
“...[And]
the cheishev
with which he is beautified, which is above it, like its work, of it
shall be of gold, turquoise wool, purple wool, scarlet wool, and
twisted linen.”
-Tetzaveh
28:8
There
is no doubt that the bigdei
kehunah (special
clothes that the kohanim
had
to wear) were spectacular and royal. When it comes to discussing the
cheishev
(belt),
Rashi1
writes that the Kohen
Gadol's
cheishev
was
the belt above the eiphod
(apron)
which beautified and enhanced the Kohen,
and adorned him.
There
are two issues with the way Rashi
is
explaining this passuk
(verse).
First, even though certainly one aspect of the bigdei
kehunah was
to make the kohen
look
prestigious, why is it that this aspect is stressed so much in the
Torah and this Rashi?
It sounds as if this was the most important fact of the bigdei
kehunah.
Second, this Rashi
does
not seem to flow so well. Rashi
starts
by
explaining
that the bigdei
kehunah beautified
and enhanced the kohen.
Then, Rashi
adds in as an after thought that the bigdei
kehunah also
adorned him. Why does Rashi
not
list all three descriptions as part of the same series?
However,
there is an even more potent question, regarding the bigdei
kehuna in
general, which stems from an understanding of a story in the Gemara.
The Gemara2
relates
a story of a non-Jew who overheard someone teaching his talmidim
(students)
about the garments that the kohen
gadol
would wear. This man went over to Shammai and told him that he wanted
to convert in order to become the kohen
gadol
and wear the eight pieces of bigdei
kohen gadol.
Shammai's immediate response was to chase him out with a stick. This
individual then went to Hillel and told him the same thing, that he
wanted to become Jewish in order to be able to become the kohen
gadol
and wear the special garments. Hillel listened patiently and advised
this gentile to first learn all the halachos
(laws)
of being a kohen.
The man did so, but when he got up to the passuk
(verse),
“The stranger that comes near shall be put to death”,3
he was very confused. He asked Hillel, “Who does this passuk
refer to?” Hillel replied, “This passuk
even
applies to Dovid HaMelech.
Anyone who is not a kohen
cannot do the avodah
(work in the Beis
HaMikdash).”
The Gemara
then
continues to say that despite the fact that this man's aspirations
were shot, he ultimately became Jewish anyway because of Hillel's
patience.
The
Kli
Yakar4
is bothered by this whole story. Who did this guy think he was? If he
just wanted a good Purim costume, why go through the whole process of
becoming Jewish and having to accept the Torah and mitzvos?
He should have just went to the local costume store and bought a
similar copy made in China! Was this man for real that he wanted to
convert just so that he could wear the garments of the kohen
gadol?
The
Kli
Yakar therefore
answers that it must be that this gentile heard more than just the
list of special garments that the kohen
wore. Rather, he must have overheard a Rabbi describing the following
Gemara. The Gemara5
lists
the four garments of the kohen
hedyot (regular
kohen)
and the additional four garments of the kohen
gadol. The
Gemara
then elaborates that each of the garments acted as an atonement for
different great sins.6
Upon hearing this, the gentile had an idea. He knew that he had done
horrible things in his life, and he wanted to start anew. He thought
that achieving the position of kohen
gadol
and getting the chance to adorn these garments would grant him the
quick-fix absolution
needed to rest his mind of guilt.
This
whole concept is so hard to understand. What did the bigdei
kehunah have
to do with atoning sins? Could it really be that because the kohen
would dress up in a certain way, that we become “off the hook”
for some of the horrible things we have done?7
In
order to answer these questions, let us take a step back and try to
understand the role that the bigdei
kehunah played
in adorning the Kohen
in the Beis
HaMikdash.
The
Malbim8
makes an incredible observation. He writes that a word used to
describe the bigdei
kehunah is
“mada”.
The word mada
comes
from the root meaning measurement. The reason for this is simply
because one gets his clothing tailored according to the dimensions of
his guf
(body).
The body's measurements are what one uses to deduce the accurate size
of one's clothing.
Similarly,
one's character traits are called middos
– referring to the different allocations of qualities that each and
every individual uniquely possesses. People are born with different
measurements of haughtiness, humility, embarrassment, brazenness,
anger, patience, etc. Our job, as the Orchos
Tzadikkim9
maintains, is to study and analyze each middah
and
realize where it is inside us. Then, we must work on each and every
middah
and
qualify it in a positive way. Every middah
could
be directed to be used for good or bad. It is our duty to make sure
that our middos
are
shaped in the right way.
The
Malbim
continues
to write that the reason for the kohen
to wear the bigdei
kehunah –
the outer measurements which cover his body, was in order to have an
effect and guide the inner measurements – the middos
surrounding
his nefesh
(soul).
Each
of the garments of the kohen
gadol represented
some of the most difficult and important middos
of
which a person must take control – the direct effects of kinah
(jealousy),
taivah
(desires),
and kavod
(honor), which Pirkei
Avos10
describe “remove a person from this world”.
Somehow,
merely wearing the types of clothing that the kohen
gadol wore,
brought about these good middos
from
the kohen
gadol,
and
had him thinking along pure thoughts in these areas. It is no
coincidence that the sins that the bigdei
kehunah atoned
for were done due to lack of control in the middos
that
they
each represented. These pure thoughts of the kohen,
the representative of the entire Jewish people, when wearing the
begadim,
received a collective kaparah
for the entire b'nei
Yisroel.
Perhaps
now we could better appreciate the aforementioned Rashi.
The bigdei
kehunah served
multiple purposes. On the one hand they adorned the kohen
– giving him a prestigious and royal look to stand out above
everyone else as the one chosen to serve Hashem.11
Additionally, the bigdei
kehunah
were designated garments only used to serve Hashem, expressing
incredible amounts of kavod
Hashem.
However, a third aspect of the bigdei
kehunah was
to effect and direct the kohen's
thoughts
in order to spark a kaparah.
The
clothing we wear has the ability to give power to and bring forth
certain aspects of the middos
contained
within us. Movie producers are well aware of this fact and indeed
have their actors wear the clothing of their respective characters
for a long time before the actual filming in order to get the full
feel of the character. The clothing they wear is able to export
different measurements of their born-qualities, thereby creating
almost new people within themselves based on their influenced
temporary choice of characteristics.
The
clothing we wear has an impact on the way we think and act. Let us
choose carefully in order that the measurements of the guf
should
have a positive impact on the measurements of the nefesh;
for indeed the way we dress effects our middos
–
measure for measure.
1Shemos
28:8
2Shabbos
31a
3Bamidbar
3:10
4Shemos
28:39. The Kli Yakar
later continues to get into a
whole discussion about Achashveirosh during the Purim story when he
wore the bigdei kehunah and
used the keilim from
the Beis HaMikdash.
5Eiruchin
16a
6The
Gemara lists the following begadim and
that for which they atoned:
- Kesones (tunic) – shfichus damim (murder/bloodshed)
- Michnasa'im (pants) – giluy arayos (immorality)
- Mechaperes (turban) – gasei haruach (arrogance)
- Avneit (belt) – hirhur lev (improper thoughts of the heart)
- Choshein (breastplate) – dinim (incorrect judging)
- Eiphod (apron) – avoda zarah (idol worship)
- Me'il (jacket) – lashon harah (evil speech)
- Tzitz (head-plate) – ma'aseh azei panim (brazen acts)
7Berachos
28a
8Shemos
28:15
9He
writes this in his introduction to the sefer
as well as throughout his sefer
when discussing the various character traits.
10Avos
4:28
11See
S'forno on Shemos
28:2
Photo Credit: http://home.centurytel.net/KabbalArt/cohen_gadol.html
Photo Credit: http://home.centurytel.net/KabbalArt/cohen_gadol.html
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